How AI is turning the Iran conflict into theater

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“Anyone wanna host a get together in SF and pull this up on a 100 inch TV?”   The author of that post on X was referring to an online intelligence dashboard following the US-Israel strikes against Iran in real time. Built by two people from the venture capital firm Andreessen Horowitz, it combines open-source data like satellite imagery and ship tracking with a chat function, news feeds, and links to prediction markets, where people can bet on things like who Iran’s next “supreme leader” will be. 

According to the author he has reviewed over a dozen other dashboards like this in the last week. Many were apparently “vibe-coded” in a couple of days with the help of AI tools, including one that got the attention of a founder of the intelligence giant Palantir, the platform through which the US military is accessing AI models like Claude during the war. Some were built before the conflict in Iran, but nearly all of them are being advertised by their creators as a way to beat the slow and ineffective media by getting straight to the truth of what’s happening on the ground. “Just learned more in 30 seconds watching this map than reading or watching any major news network,” one commenter wrote on LinkedIn, responding to a visualization of Iran’s airspace being shut down before the strikes.

Much of the spotlight on AI and the Iran conflict has rightfully been on the role that models like Claude might be playing in helping the US military make decisions about where to strike. But these intelligence dashboards and the ecosystem surrounding them reflect a new role that AI is playing in wartime: mediating information, often for the worse.

There’s a confluence of factors at play. AI coding tools mean people don’t need much technical skill to assemble open-source intelligence anymore, and chatbots can offer fast, if dubious, analysis of it. The rise in fake content leaves observers of the war wanting the sort of raw, accurate analysis normally accessible only to intelligence agencies. Demand for these dashboards is also driven by real-time prediction markets that promise financial rewards to anyone sufficiently informed. And the fact that the US military is using Anthropic’s Claude in the conflict (despite its designation as a supply chain risk) has signaled to observers that AI is the intelligence tool the pros use. Together, these trends are creating a new kind of AI-enabled wartime circus that can distort the flow of information as much as it clarifies it.

But an abundance of information, which AI is undeniably good at assembling, does not come with the accuracy or context required for real understanding. Intelligence agencies do this in-house; good journalism does the same work for the rest of us. It is, by the way, hard to overstate the connection this all has with betting markets.

AI has also long made it cheaper and easier to spread fake content, and that problem is on full display during the Iran conflict.  The result is an ocean of AI-enabled content—dashboards, betting markets, photos both real and fake—that makes this war harder, not easier, to comprehend.

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